The Art of Constant Rearrangement | The Joshua McClelland Print Room & Rathdowne Galleries

1 · GUERCINO [1591 - 1666] Giovanni Francesco BARBIERI A mother and Child copper-plate engraving 25 x 24cm plus another engraving of a contemplative woman, identically framed in maple. (2 items)

2 · PIETRO FERRERIO [1600 - 1654], Parte del Palazzo de Farnese... (designed by Michelangelo Buonarotti), copper engraving, published 1655, 23 x 38cm also COLEN CAMPBELL [1676 - 1729], The Banquetting House at Whitehall, by Inigo Jones, copper engraving, published 1715, 24 x 36cm, plus two similar images; all identically framed in black. (4 items).

3 · WILLIAM HODGES [1744-1797], Possession Bay in the island of South Georgia, copper engraving (from Cook's "A Voyage towards the South Pole...," 1777), 23 x 38cm.

4 · WILLIAM HODGES [1744-97], The landing at Mallicolo, one of the New Hebrides (from Cook's "Voyage towards the South Pole..."), copper engraving by James Basire; hand coloured, 27 x 47 cm, The Resolution visited Malekul in July 1774. In this view Cook is depicted handing his musket to an officer, enabling him to accept the green palm branch signifying peace; the Malekulans are depicted wearing the yelau (penis case) tied up to a belt worn about the waist.

5 · WILLIAM HODGES [1744-1797], i) The Landing at Mallicolo, one of the New Hebrides. ii) Resolution Bay in the Marquesas. iii) A view in the Island of Rotterdam. iv) [Ornaments and weapons at New Caledonia], v [Ornaments, utensils and weapons at the Friendly Isles], five copper engravings (from Cook's "A Voyage towards the South Pole...," 1777), each approx 23 x 38cm.

6 · WILLIAM HODGES [1744-1797], Afia-Too-Ca, A burying place in the Isle of Amsterdam, copper engraving (from Cook's "A Voyage towards the South Pole...," 1777), 23 x 38cm. View of a burial place on Tongatabu, the main island of the Tonga group. Cook visited the islands 2 - 8 October 1773 and then again 26 - 29 June 1774.

7 · Strahan & Cadell, London, 1777 [Publ.], copper engravings (from A Voyage towards the South Pole, and Round the World... By Capt. James Cook), Flax Plant of New Zealand [Plate XXIII], and, Plant Used in Tahiti for catching fish... [Plate XXIV], based on drawings by J.G. Forster, both 38 x 23cm

8 · After JOHN WEBBER [1752-1793], An Offering Before Captain Cook in the Sandwich Islands, hand coloured engraving,1779, 15 x 19cm

9 · A Georgian engraved coconut shell signed "ROBERT WOOD, May 29, 1782", 8cm high, 10cm diameter

10 · GEORGE MORELAND [English, 1763 - 1804], (Resting Horses) pen, pencil and wash, with a signature and date "G Morland, 1786" at lower right, 19 x 27cm, also, (Girl with water pitcher), soft ground etching, signed in pencil lower right, 26 x 21.5cm

11 · PETER MAZELL [1759 - 1797], Watts's Shark. 1789, copper engraving hand coloured, 18 x 23cm, also, Caspian Tern, 24 x 17cm, From Governor Arthur Phillip's, "Voyage to Botany Bay." "This fish was met with in Sydney Cove, Port Jackson, by Lieutenant Watts, and is supposed to be full as voracious as any of the genus, in proportion to its size for after having lain on the deck for two hours, seemingly quiet, on Mr. Watts's dog passing by, the shark sprung upon it with all the ferocity imaginable, an

12 · GEORGE SHAW [1751 - 1813] & F.P. NODDER, Cassowary, Splendid Parrot, Turcosine Parrakeet, Black Swan, four hand-coloured copper engravings, from "The Naturalist's Miscellany" c1799, 21 x 11cm and similar sizes. (4)

13 · JEAN BAPTISTE AUDEBERT [1759 - 1800], Perruche a Taches Noires du Cap de Diemen. copper engraving, c 1800 (from Voyage a la Recherche de la Perouse), engraved by Jacques Louis Pere, 28 x 42 cm

14 · CLASSICAL ETCHINGS & ENGRAVINGS, Subjects include Les Chevaux (By Berchem), Diana & Cherubs (by Bartolozzi), Cimone and Ifigenia (by Cipriani), Religion (by Bartolozzi), cherubs in spring and winter, an architectural image, etc. (8 items; all framed), various sizes.

15 · Linnaeus in his Lapland Dress. From an original Picture in the possession of Dr. Thornton. Hoffman pinx.t. H.Kingsbury sculp.t. London published by Dr. Thornton June 1. 1805. Mezzotint, 50 x 35cm. Carl Linnaeus the elder, (1707-1778), is depicted with a plant with a label attached in one hand, a shaman's drum in the other. An inscription on the drum reads 'Carolus Linnaeus a Lapponia redux aetat 30, anno 1737 / Mart Hoffman fecit.' An illustration from Robert Thornton's 'Illustration of the Sex

16 · Portrait engravings of Francois Auguste Peron (circa 1805), Dumont d'Urville (circa 1835), La Perouse (circa 1870) and Nicholas Baudin (1886). 3 mounted; 1 framed).

17 · CHARLES ALEXANDRE LESUEUR [1778 -1846], Nouvelle Hollande: Nouvelle Galle du Sud (Sydney Cove) Vue d’une Partie de la Ville de SYDNEY capitale des Colonies Anglaises aux Terres Australes, et de l’entrée du PORT JACKSON dans lequel cette Ville est située. Copper engraving (from Part 1 of the Atlas of the Baudin Expedition, 1807), 20 x 25cm

18 · CHARLES ALEXANDRE LESUEUR [1778 -1846], Nouvelle Hollande: Nouvelle Galle du Sud, Navigation, Copper engraving (from Voyage de Decouvertes aux Terres Australes, 1807), 20 x 21cm

19 · JOHN WEBBER [1751 -1793], Balagans or Summer Habitations, with the method of Drying Fish at St Peter & Paul, Kamtschatka, Aquatint with large margins and very fine hand colour on watermarked paper, 'J. Whatman. 1819'. 33 x 44cm. John Webber was the official artist on Cook's final voyage through the Pacific; his drawings formed the basis for printed illustrations to the account of 'A Voyage to the Pacific', published in 1784.

20 · JOHN WEBBER [1751 -1793], The Narta or Sledge for Burdens in Kamtschatka (Not mentioned in Cook’s Last Voyage), Aquatint with large margins and very fine hand colour on watermarked paper, 'J. Whatman. 1819'. 32.5 x 45cm.

21 · J.F. CAZENAVE [active circa 1770 - 1800], Quince, coloured engraving after a painting by Pancrace Bessa [1772 -1846], 50 x 36cm. and two additional early 18th century coloured engravings of fruit. (3 items).

22 · JOHN HEAVISIDE CLARK [1770-1863], from "Field Sports of the Native Inhabitants of New South Wales", i.) Hunting the Kangaroo, ii.) Repose, iii.) The Dance, coloured aquatints, (3), Published by Edward Orme, London, 1813.

23 · JOHN HEAVISIDE CLARK [1770-1863], from "Foreign Field Sports", i.) Turtle Fishing in the Water, ii.) Turtle Catching on Land, iii.) Killing Seals in a Cavern, iv.) Killing a Shark. coloured aquatints, (4), Published by Edward Orme, London, 1813.

24 · JOHN HEAVISIDE CLARK [1770-1863], from "Foreign Field Sports", i.) Turtle Fishing in the Water, ii.) Turtle Catching on Land, coloured aquatints, (2), Published by Edward Orme, London, 1813.

25 · FRENCH LITHOGRAPHS IN COLOUR, Two images by Carle Vernet from his Types of Paris series (c1818), plus, Les Grimaces by Louis Boilly. (c.1824), (3 items).

26 · ROBERT HAVELL Jnr [1793 - 1878], Pheasant Shooting, Black Park, near Uxbridge, coloured aquatint, c1830, 22 x 31cm.

27 · JOSEPH LYCETT [1774 -1828], Beaumonts' Lake, Van Diemens Land, hand coloured aquatint from “Views in Australia or New South Wales and Van Diemen's Land Delineated...”, Published London J. Souter, 1825, 23 x 33cm.

28 · JOSEPH LYCETT [1774 -1828], View from near the Top of Constitution Hill, Van Diemens Land, hand-coloured aquatint from “Views in Australia or New South Wales and Van Diemen's Land Delineated...”, Published London J. Souter, 1825, 23 x 32cm.

29 · JOSEPH LYCETT [1774 -1828], Mount Direction, Near Hobart Town Van Diemen's Land, hand coloured aquatint from “Views in Australia or New South Wales and Van Diemen's Land Delineated...”, Published London J. Souter, 1825, 23 x 33cm.

30 · JOSEPH LYCETT [1774 -1828], View of Roseneath Ferry, Van Diemens Land (Taken from the East Side.), hand coloured aquatint from “Views in Australia or New South Wales and Van Diemen's Land Delineated...”, Published London J. Souter, 1825, 22 x 31cm.

31 · JOSEPH LYCETT [1774 -1828], Liverpool, New South Wales, hand coloured aquatint from “Views in Australia or New South Wales and Van Diemen's Land Delineated...”, Published London J. Souter, 1825, 22 x 30cm.

32 · LOUIS AUGUSTE DE SAINSON [1800 -1887], Vue de l’entree du Port Jackson, 1830, hand coloured lithograph, 22 x 37cm.

33 · JOHN WILLIAM LEWIN [1770 - 1819], Yellow-Ear Honey-Sucker (Plate V), hand-coloured copper-plate engraving, 1838 (from A Natural History of the Birds of New South Wales), with explanatory page, 29 x 22cm,

34 · Artist Unknown, Hunting Hounds, A pair of oils on board, early 19th Century, each 27 x 42.5, both in original maple frames with Morrison & Co., Glasgow labels.

35 · BIRDS OF AUSTRALIA, etc. Two Gould images - Silvery-crowned Friar-bird and Brown Red-Throat, (both framed with mss text added below printed titles), also, two smaller hand-coloured engravings by Hanhart. (4 items).

36 · R. RUSSEL, (Landscape at Sunset), oil on board, signed and dated "R.Russel 1841" lower left, 21 x 33cm.

37 · JAMES DUFFIELD HARDING [English, 1798 - 1863], Nine lithographic images, from "The Park and the Forest" - 1841 - printed by Charles Joseph Hullmandel, Beech; Ash, Sycamore and Oak; Scotch Fir; Elm; Wych Elm and Firs; Elm and Birch; Stone Pines; Birch and Oak; Sycamore. all 37 x 54cm (sheet size.)

38 · LOUIS Le BRETON [1818- 1866], Pecheurs de Tripang a la Baie Raffles, Hand coloured lithograph by Thierry Frères Paris after Le Breton, 1842, 19 x 31.5cm. Javanese fishermen in the Bay of Raffles. Located at the eastern end of the Cobourg Peninsula, Raffles Bay was the site of the second abortive attempt at settlement on the northern coastline of Australia. It was named by Phillip Parker King in 1818 after Sir Thomas Stamford Raffles, founder of Singapore.

39 · JAMES STUART [1802 -1842], The First Settlement in Adelaide. January 1837. Situated in the present Parkland, west of the West End of North Terrace. watercolour, with hand-painted title below, signed "Stuart" at lower left, 23 x 43cm.

40 · CHARLES MARTIN & LEOPOLD MARTIN [English], Handcoloured engravings from "Civil Costume of England from the Conquest to the Present Period" , [London, 1842], each 19 x 12.5cm. (4 items).

41 · JOHN SKINNER PROUT [1805 - 1876], Hobart Town from the Government Paddock. hand coloured lithograph, signed in the stone lower right 'J.S. Prout' (from "Tasmania Illustrated", 1844). 25 x 41cm.

42 · JOHN SKINNER PROUT [1805 - 1876], Port Arthur, V.D.L. hand coloured lithograph, signed in the stone lower right 'J.S. Prout' (from "Tasmania Illustrated", 1844). 26 x 38cm.

43 · JOHN SKINNER PROUT [1805 - 1876], The Cataract, Launceston, hand coloured lithograph, signed in the stone lower left 'J.S. Prout' (from "Tasmania Illustrated", 1844). 26 x 36cm.

44 · JOHN SKINNER PROUT [1805 -1876], Port Jackson East of Bradley's Head, sepia coloured lithograph (from "Sydney Illustrated", 1844), 18 x 26.5cm.

45 · SAMUEL THOMAS DAVENPORT [British, born 1821], Hobart Town, steel engraving, circa 1844, 10 x 17cm.

46 · JOHN GOULD [1804-1881], Black striped Wallaby - Halmaturus Dorsalis, hand-coloured lithograph from “The Mammals of Australia”, 1845 - 1863, 51 x 34cm.

47 · THOMAS ALLOM [1804 - 1872], Whampoa, from Dane's Island, The Woo-Tang Mountains, Show-room of a Lantern Merchant, at Peking, full page engravings from "China Illustrated" [1845], also, three large China-related engravings from the Illustrated London News. (6 items); various sizes.

48 · JOHN GOULD [1804-1881], Spectacled Vampyre - Pteropus Conspicillatus, hand-coloured lithograph from “The Mammals of Australia”, 1845 - 1863, 49 x 34cm (with descriptive sheet).

49 · JOHN GOULD [1804-1881], Northern Nail Tailed Kangaroo - Onychogalea Unguifer, hand-coloured lithograph from “The Mammals of Australia”, 1845 - 1863, 50 x 32cm.

50 · JOHN GOULD [1804-1881], Pademelon Wallaby - Halmaturus Thetidis, hand-coloured lithograph from “The Mammals of Australia”, 1845 - 1863, 50 x 33cm.

51 · JOHN GOULD [1804-1881], Parry's Wallaby - Halmaturus Parryi, hand-coloured lithograph from “The Mammals of Australia”, 1845 - 1863, 34 x 48cm.

52 · JOHN GOULD [1804-1881], Stripe-sided Rock Wallaby - Petrogale Lateralis, hand-coloured lithograph from “The Mammals of Australia”, 1845 - 1863, 34 x 48cm.

53 · JOHN GOULD [1804-1881], Dusky-footed Rat - Mus Fuscipes, hand-coloured lithograph from “The Mammals of Australia”, 1845 - 1863, 34 x 48cm. and, JOHN GOULD [1804-1881], Fulvous Beaver Rat - Hydromys Fulvolavatus, hand-coloured lithograph from “The Mammals of Australia”, 1845 - 1863, 35 x 48cm.

54 · JOHN GOULD [1804-1881], Broad-Faced Rat - Hypsiprymnus Platyops, hand-coloured lithograph from “The Mammals of Australia”, 1845 - 1863, 34 x 48cm. and, JOHN GOULD [1804-1881], Woolly Phascogale (Kultarr) - Phascigale Lanigera, hand-coloured lithograph from “The Mammals of Australia”, 1845 - 1863, 48 x 30cm.

55 · JOHN GOULD [1804-1881], White footed Antechinus - Antechinus Albipes, hand-coloured lithograph from “The Mammals of Australia”, 1845 - 1863, 50 x 33cm. and, JOHN GOULD [1804-1881], White-tipped Hapilotis - Hapilotis Apicalis (extinct), hand-coloured lithograph from “The Mammals of Australia”, 1845 - 1863, 33 x 44cm.

56 · LOUIS Le BRETON [1818-1866], New-Victoria (Port Essington), hand-coloured lithograph (litho. by Sabatier) from Atlas Pittoresque, 1846, 22 x 31cm.

57 · LOUIS Le BRETON [1818-1866], Observatoire de la Baie Raffles, hand-coloured lithograph (litho. by Sabatier) from Atlas Pittoresque, 1846, 22 x 31cm.

58 · JOHN SKINNER PROUT [1805 -1876], Elizabeth St., Melbourne (from "Views in Melbourne and Geelong", 1847), hand coloured lithograph, signed lower right, 23 x 36cm.

59 · JOHN SKINNER PROUT [1805 -1876], View from Bateman's Hill, Melbourne (from "Views in Melbourne and Geelong", 1847), hand coloured lithograph, signed lower right, 23 x 35cm.

60 · JOHN SKINNER PROUT [1805 -1876], Corio Bay from the Barabool Hills, (from "Views in Melbourne and Geelong", 1847), hand coloured lithograph, signed lower centre, 24 x 35cm.

61 · JOHN SKINNER PROUT [1805 -1876], Geelong, 1847, (from "Views in Melbourne and Geelong", 1847), hand coloured lithograph, signed lower right, 23 x 35cm. (repair at lower centre)

62 · JOHN SKINNER PROUT [1805 -1876], Melbourne from Collingwood, 1847, (from "Views in Melbourne and Geelong", 1847), hand coloured lithograph, signed lower right, 23 x 35cm.

63 · JOHN SKINNER PROUT [1805-1876], View of Heidelberg near Melbourne (from "Views in Melbourne and Geelong", 1847), hand coloured lithograph, signed lower right, 23 x 36.5cm.

64 · GEORGE FRENCH ANGAS [1822 – 1886], frontispiece from "South Australia Illustrated", 1847, lithograph, printed with tint stone and hand-colouring, 50 x 36cm.

65 · GEORGE FRENCH ANGAS [1822 – 1886], Interior of Mount Gambier, lithograph, printed with tint stone and hand-colouring, from "South Australia Illustrated", 1847, 25 x 35cm.

66 · GEORGE FRENCH ANGAS [1822 – 1886], The Devil's Punch Bowl, Near Mt Shanck, lithograph, printed with tint stone and hand-colouring, from "South Australia Illustrated", 1847, 25.5 x 33.5cm.

67 · GEORGE FRENCH ANGAS [1822 – 1886], Port Adelaide, lithograph, printed with tint stone and hand-colouring, from "South Australia Illustrated", 1847, 28.5 x 40.5cm.

68 · GEORGE FRENCH ANGAS [1822 – 1886], The City of Adelaide, from the Torrens near the Reed Beds, lithograph, printed with tint stone and hand-colouring, from "South Australia Illustrated", 1847, 24.5 x 32.5cm.

69 · GEORGE FRENCH ANGAS [1822 – 1886], Crater of Mount Schanck, lithograph, printed with tint stone and hand-colouring, from "South Australia Illustrated", 1847, 26 x 35cm.

70 · GEORGE FRENCH ANGAS [1822 – 1886], From the Barossa, Looking over part of Angas Park, Gawler Plains in the distance; and, North Bend of the River Gawler, lithographs, printed with tint stone and hand-colouring, from "South Australia Illustrated", 1847, each 16 x 24cm on one sheet.

71 · GEORGE FRENCH ANGAS [1822 – 1886], Rapid Bay. Encampment of Yankallilla Blacks. lithograph, printed with tint stone and hand-colouring, from "South Australia Illustrated", 1847, 25 x 35cm.

72 · GEORGE FRENCH ANGAS [1822 – 1886], Coast Scene near Rapid Bay. Sunset. Natives fishing with nets. lithograph, printed with tint stone and hand-colouring, from "South Australia Illustrated", 1847, 25 x 35cm.

73 · GEORGE FRENCH ANGAS [1822 – 1886], Klemsic. A Village of German settlers near Adelaide. lithograph, printed with tint stone and hand-colouring, from "South Australia Illustrated", 1847, 23 x 32.5cm.

74 · GEORGE FRENCH ANGAS [1822 – 1886], Grass Trees at Yankalilla with the Red Kangaroo (Macropus Laniger Gould), lithograph, printed with tint stone and hand-colouring, from "South Australia Illustrated", 1847, 25.5 x 34.5cm.

75 · GEORGE FRENCH ANGAS [1822 – 1886], The Aboriginal Inhabitants. (their implements and utensils), two lithographs, printed with tint stone and hand-colouring, from "South Australia Illustrated", 1847, each 46 x 33cm.

76 · GEORGE FRENCH ANGAS [1822 – 1886], Scene on the Coorong, near Lake Albert. lithograph, printed with tint stone and hand-colouring, from "South Australia Illustrated", 1847, 23 x 32.5cm.

77 · GEORGE FRENCH ANGAS [1822 – 1886], Port Lincoln, looking across Boston Bay towards Spencer's Gulf. lithograph, printed with tint stone and hand-colouring, from "South Australia Illustrated", 1847, 25.5 x 34.5cm.

78 · GEORGE FRENCH ANGAS [1822 – 1886], Falls of Glen Stuart. lithograph, printed with tint stone and hand-colouring, from "South Australia Illustrated", 1847, 35 x 25cm.

79 · GEORGE FRENCH ANGAS [1822 – 1886], Old Gum Tree on the Gawler. lithograph, printed with tint stone and hand-colouring, from "South Australia Illustrated", 1847, 33 x 24cm.

80 · GEORGE FRENCH ANGAS [1822 – 1886], Bethany, A Village of German settlers, at the foot of the Barossa Hills, lithograph, printed with tint stone and hand-colouring, from "South Australia Illustrated", 1847, 23 x 32.5cm.

81 · ROBERT MARSH WESTMACOTT [c1801-1870], Natives (Armed and In Deep Mourning), hand coloured lithograph, circa 1848, 22 x 17cm. Captain Westmacott resided in the Illawarra between 1837-47.

82 · JOHN GOULD [1804-1881], Helmeted Honey Eater – Tropidorynchus Buceroides, hand-coloured lithograph from “Birds of Australia”, 1848 - 1869, 51 x 34cm (accompanied by the original descriptive sheet).

83 · JOHN GOULD [1804 - 1881], Australian Tippet Grebe - Podiceps Australis, hand-coloured lithograph from "The Birds of Australia" 1848-69, 35 x 51cm.

84 · JOHN GOULD [1804-1881], Vigor's Pitta - Pitta Vigorsii, hand-coloured lithograph (by Elizabeth Gould) from “Birds of Australia”, 1848 - 1869, 43 x 32cm (accompanied by the original descriptive sheet).

85 · JOHN GOULD [1804-1881], Grey Headed Blackbird – Merula Poliocephala, hand-coloured lithograph from “Birds of Australia”, 1848 - 1869, 50 x 32cm .

86 · JOHN GOULD [1804-1881], Roufus Gallinule – Gallinula Ruficrissa , hand-coloured lithograph from “Birds of Australia”, 1848 - 1869, 32 x 44cm.

87 · JOHN GOULD [1804 - 1881], Ianthocincla Artemisiae (Allied Ianthocincla), hand-coloured lithograph from "Birds of Asia" 1850-1883, 51 x 35cm (accompanied by original descriptive sheet).

88 · European School, Landscape with walled town, oil on board, 19th Century, 28 x 44cm.

89 · JOHN GOULD [1804 - 1881], Lamprothorax Wilhelminae - Wilhelmina's Bird of Paradise, hand-coloured lithograph (from "Birds of Asia" 1850 - 1883, 51 x 35cm.

90 · DAVID TULLOCH [1829 - 1869], Golden Point, Mt. Alexander, Forest Creek, Mt. Alexander, Great Meeting of Gold Diggers Decr. 15th 1851, Commissioners Tent & Officers Quarters Forest Creek Decr. 1851, Golden Point, Ballarat 1851, five hand coloured engravings (from "Ham's five views of the gold fields of Mount Alexander and Ballarat in the colony of Victoria / drawn on the spot by D. M. Tulloch"; engraved and published by Thomas Ham"), each approx 22 x 30cm.

91 · EDMUND THOMAS [1827 -1867], William's Town Lighthouse, Hobson’s Bay , tinted lithograph by D. James after Edmund Thomas. Published by F. Varley, 1853, 21.5 x 34cm.

92 · W.L. WALTON [active 1834-1855], Chief Commissioners Camp Castlemaine, Escort Leaving for Melbourne. coloured lithograph (from "What I Heard, Saw and Did on the Australian Goldfields" by C. Rudston Read, 1853), 11 x 18.5cm.

93 · 1850s-80s group of five engravings, attractively framed and glazed: "Bourke Street, Saturday Night", "Floods at Melbourne", "Prince's Bridge, Melbourne", "On the Yarra River" and "Market Square, Melbourne, from the vaules of the Yarra-Yarra". Various sizes; the last hand-coloured. (5).

94 · EDMUND THOMAS [1827 -1867], Collins Street, Melbourne, drawn and lithographed by Edmund Thomas, Published by R. Quarrill & Co. 1853, 21.5 x 34cm.

95 · THOMAS HAM [1821-1874], Store at the Diggings, and, Forest Creek, Mount Alexander, two engravings (from The Gold Diggers Portfolio, engraved by Thomas Ham after various artists), Melbourne 1854, each 14 x 20cm. (2)

96 · WILLIAM THOMAS STRUTT [1825 - 1915], Crossing the Creek at Bacchus' Marsh, engraving (from Thomas Ham's "The Gold Diggers Portfolio", Melbourne 1854), 13 x 21 cm.

97 · GEORGE BAXTER [1804 - 1867], "News from Home", and "News from Australia", colour lithographs or Baxter prints, each 11 x 15cm.

98 · After S.T. GILL, 3 small goldfield images (Road to Bendigo, Mount Alexander & Licensing.), lithographs (by J Luntley & Co., London, circa 1855), each approx.11 x 17.5cm (the first defective).

99 · JOHN SKINNER PROUT [1805 - 1876], The House in Newport - Sept. 19th 1855, ink and watercolour, 17.5 x 25cm.

100 · Two plates from "A Residence in Tasmania: with a Descriptive Tour Through the Island". [London: Smith, Elder, & Co., 1856] by Captain Henry Butler STONEY [1816 - 1894], Hobarton, From the West, and, Frederick Henry Bay, lithographs, both 11 x 19cm. (2). An Irishman who spent time in Tasmania on a posting to Australia with the British Army, Stoney purchased land at Wyvenhoe, near Burnie in northeast Tasmania. He was a draftsman and artist whose own sketches were adapted to illustrate the book he

101 · A. WOOD, Mr Robinson’s House, Hobarton, hand coloured lithograph (from Butler Stoney’s Residence in Tasmania, 1856), 11 x 19cm.

102 · HENRY GRANT LLOYD [1830 - 1904], Hobart Town from the New Wharf. hand-coloured lithograph, c1857, 28 x 38cm.

103 · SAMUEL THOMAS GILL [1818 - 1880], Dight's Mill, Yarra Yarra, and, Market Square, Castlemaine, hand-coloured steel engravings, 1857 (Sands & Kenny), each 15 x 19cm. also, Store Drays Camped on road to Ballaarat, 1853, coloured lithograph, 1855 (Niven & Co.), 12 x 20cm. (3 items)

104 · 1860s-80s group of five engravings, "Melbourne in 1838....Melbourne in 1855....", "Bourke Street, Melbourne 1880...", "Government House, Melbourne" (hand coloured), "Melbourne from the Yarra" all framed & glazed; also, "View on the Yarra, Hodgson's Punt" (mounted). Various sizes.

105 · VARIOUS engravings, etchings and lithographs, mainly Melbourne, Victoria and Australian subjects including Aboriginals. All framed or mounted; mixed sizes. (14 items)

106 · FRANCOIS COGNE [1829 - 1883], Fitzroy Gardens (1863), and , Botanical Gardens (1863), lithographs (from "The Melbourne Album" printed by Charles Troedel), each 27 x 37cm. (2)

107 · FRANCOIS COGNE [1829-1883], Collins Street [from Queen Street], coloured lithograph (from Charles Troedel's “The Melbourne Album” pub. Melbourne 1863/64), 27 x 38cm.

108 · FRANCOIS COGNE [1829-1883], Treasury Buildings (1863), coloured lithograph (from Charles Troedel's “The Melbourne Album” pub. Melbourne 1863/64), 27 x 38cm.

109 · HENRY GRITTEN [c1818-1873], The Eastern Market from top of Whittington Tavern, coloured lithograph (from Charles Troedel's “The Melbourne Album” pub. Melbourne 1863/64), 31 x 43cm.

110 · NICHOLAS CHEVALIER [1828-1902], Mt. Munda from St Hubert, Yering, Lithograph, Published Melbourne 1865, 19.5 x 29cm.

111 · SAMUEL THOMAS GILL [1818 - 1880], Frontispiece from The Australian Sketchbook, 1865, and, The Kangaroo Hunters (from the same publication), chromo-lithographs, each 18 x 24cm. also, Native Sepulchre, lithograph from "Sketches in Victoria", 16 x 21cm. (3 items)

112 · NICHOLAS CHEVALIER [1828-1902], Mount Zero and the Grampians, chromolithograph, Published by Troedel, Melbourne 1865, 21.5 x 31cm.

113 · NICHOLAS CHEVALIER [1828-1902], Dargo Valley, Gippsland, Lithograph, Published Melbourne 1865, 20.5 x 30.5cm. With original Troedel label preserved on the back of the modern frame.

114 · SAMUEL THOMAS GILL [1818 - 1880], Prospecting, from "The Australian Sketchbook" [Melb., Hamel & Ferguson, 1865], colour lithograph, initialed in the plate at left, 17.5 x 24cm.

115 · JOHN EYRE [1771 - ], New South Wales 1810. View of Sydney from the East Side of the Cove No. 3, chromolithograph, by Heaviside Clark, after John Eyre, first published in 1810, reprinted by William Dymock, 1870, 33.5 x 49.5cm. also, View of Sydney from the West Side of the Cove No.2 (with repaired tear). (2 items)

116 · JOHN SKINNER PROUT [1805 - 1876], Gothic Monument, Pencil, signed lower left J. S. Prout, 22 x 13.5cm. Provenance: Christies, Works on Paper and Books, Melbourne, 02/12/1991, Lot No. 236.

117 · GEORGE GORDON McCRAE [1833 - 1927], Carrion Vulture (Vultur Bismarckii), ink and wash, signed "GG McCrae" at lower left and titled below the image, 23.5 x 28.5cm. McCrae, who was born in Scotland and died at Hawthorn in Melbourne, is from the family after whom McCrae on the Mornington Peninsula is named. He has here depicted the widely held view of Bismarck during and after the Franco-Prussian War of 1870-71. Bismarck is shown as a vulture picking over the bodies of France and Liberty.

118 · GERARD KREFFT [1830 – 1881], The Native Bear (Phascolasctos Cinereus), lithograph from "Mammals of Australia", 1871, illustrated by Helene Scott and Harriett Morgan, 40 x 32cm.

119 · GERARD KREFFT [1830 – 1881], The Kangaroo (Macropus Major), lithograph from "Mammals of Australia", 1871, illustrated by Helene Scott and Harriett Morgan, 36 x 28cm.

120 · GERARD KREFFT [1830 – 1881], The Wombat (Phascolomys Wombat), lithograph from "Mammals of Australia", 1871, illustrated by Helene Scott and Harriett Morgan, 33 x 39cm.

121 · GERARD KREFFT [1830 – 1881], The Platypus (Ornithorynchus Anatinus), lithograph from "Mammals of Australia", 1871, illustrated by Helene Scott and Harriett Morgan, 29 x 41cm.

122 · L. APPLETON (Engraver), The Interior of the Main Hall (Melbourne Exhibition 1880), a double page engraving from The Illustrated Australian News of Oct.9, 1880, 36 x 48cm.

123 · MATTHIJS MARIS [Dutch, 1839 - 1917] attributed, Untitled (A woman washing clothes by a window), oil on board, circa 1880, 35 x 26cm.

124 · JEAN-LOUIS FORAIN [1852 - 1931], L'Ambulante, from Croquis Parisiens, 1880, etching, 15 x 9.5cm.

125 · WILLIAM TAYLOR SMITH TIBBITS [1837-1906], St. Ives, Toorak Road South Yarra, watercolour, 8 x 14cm. Now a Rob Mills & Paul Bangay development.

126 · H. BARRETT, Eucalyptus pauciflora, Chromolithograph (from "The Forest Flora of South Australia"), 1882-1890, 47 x 35cm.

127 · EMMA MINNIE BOYD [1858 - 1936], The Mine Shaft Central Victoria, 1883, watercolour, initialled "EB" and dated "25.7.83" lower left, 22 x 18cm.

128 · PHIL MAY [1864 - 1903], Railway Speight, pen and ink on paper, titled at the base and signed at right; dated (November 24, 1888), and titled on reverse together with "The Bulletin" copyright handstamp. 35 x 18cm.

129 · The West Australian newspaper, Monday, February 11, 1889 silk edition of a two-page single sided spread.

130 · "Gash" (artist), A caricature of H. Byron Moore, with the statement '"Dogs found on this course will be shot" H Byron Moore' in pencil below. pen & ink on board, circa 1890s, 42 x 24cm. also, another caricature (of a judge in gown and toque) by the same artist and the same size. (2 items).

131 · GRACIUS JOSEPH BROINOWSKI [1837-1913], A collection of plates from his "The Birds of Australia" published Charles Stuart & Co Sydney 1887-1891, 184 chromolithographs, (listing available), each approx. 36 x 24cm.

132 · EDWARD CHARLES MAY [1867 - 1920], Five tinted lithographs by E.C. May of scenes of Australian country life, after original sketches by George Hamilton. Hamilton's titles are 'The Lost Bushman', 'The Found Bushman', 'Bushmen in Danger', 'Australian Bushmen', and 'The Bushman'; circa 1890, and based on original sketches from the 1850s. each approx. 15 x 20.5cm (5 items).

133 · Artist Unknown, (Dragonfly), watercolour on paper, late 19th century, 19 x 15cm.

134 · LEWIS BAUMER [British, 1870 - 1963], Miss Ada Reeve, ink and crayon on paper, signed and dated '95 lower left.

134a · ARTHUR JOSE de SOUZA LOUREIRO [1853-1932] Haystacks, Box Hill Oil on panel, signed with initials 'A. L.' lower left,16.5 x 10.5 cm

135 · JOHN CAMPBELL LONGSTAFF [1862 - 1941], Shepparton Agricultural Society Annual Spring Exhibition, Certificate of Merit, lithographed in colour by Troedel & Co., dated 1896, 34 x 49.5cm (sight), Awarded to Mrs W. Gilbert in October 1918 for "Hair Work" and signed by the secretary and the president.

136 · KUPFERSTICHE und HOLZSCHNITTE ALTER MEISTER in nachbildungen (Copper engravings and woodcuts by the old masters; in replica prepared by Dr. F. Lippmann, Director of the State Copper Engavings collection in Berlin. Folio VIII. [Berlin, 1897]

137 · Raoul André ULMANN [French, 1867 - 1932], Tristesse sur la mer, en Bretagne, c 1898, colour lithograph on wove paper, with artist's monogram at lower right, 23 x 35cm. and, Henri JOURDAIN [French, 1864 - 1931], Les Cygnes, c 1898, colour lithograph, with monogram in margin at lower left corner, 23 x 33cm.

138 · MANUEL ROBBE [French, 1872 - 1936], Menuet d'automne, lithograph, signed and dated 1898 in the image, 33 x 24cm.

139 · ANGELO JANK [German, 1868–1940], Frau mit Papagei (Lady with a Parrot), colour lithograph, 1898, 36 x 18cm.

140 · ROLAND CLARK (active early 1900s), St Kilda Pier, watercolour, signed and dated "1900" lower right, 15.5 x 24.5cm.

141 · FRANK BARNARD (British), "Public Enquiry Office Leicester Square", pencil on board signed with initials lower left, circa 1900, 9 x 23.5cm.

142 · CLAUDE ARTHUR MARQUET [1869-1920], Labor Music, pen, ink and wash drawing, signed and dated "'05" lower right, 32 x 23.5cm. A political cartoon, probably for Melbourne Punch, the image depicts J C Watson (as the organ-grinder), Alfred Deakin (as his dancing monkey) and Sir George Reid (as the wealthy on-looker). All three of these men were Prime Minister of Australia between 1903 and 1905.

143 · ALFRED JAMES VINCENT [1874–1915], Another George Washington.... pen and ink on board signed lower right in black ink, 27.5 x 22.5cm. also, DU HOK, (Untitled) The Piano Recital, pen and ink on paper, signed lower right, 16.5 x 24cm. Vincent was best known for his contributions to "Melbourne Punch" and "The Bulletin".

144 · ARTHUR ESAM [1850 - 1934], The Stagecoach, watercolour, signed lower right, 14 x 23cm.

145 · A collection of 19 bookplates by various artists including Norman Lindsay, Lionel Lindsay, John Shirlow, Pixie O'Harris, L. Roy Davies, P.N. Barnett, J.J. Hilder and others; some signed in the margin. Various sizes. (19)

146 · WILLIAM NICHOLLS ANDERSON [1872 - 1927], Five small watercolours titled "Williamstown", "Shipping on Yarra", "Melbourne", "Coal Boat, Port Melbourne" & "Barges, Williamstown", each approx 14 x 8.5cm, signed "W.N. Anderson" and framed together, overall 25 x 73cm.

147 · DAVID LOW [1891 - 1963], 'That energetic passion of repose' - Lowell; John Murray M.L.A. (Vic)", pen & ink on paper, signed 'LOW' at left, 20 x 32cm.

148 · JOHN SHIRLOW [1869 - 1936], The Fishmarkets, Melbourne, etching, signed and dated "1914" in the plate, 14 x 8cm.

149 · LIONEL ARTHUR LINDSAY [1874 - 1961], The Little Pool, Yarra Melbourne, etching, proof on Millburne paper, 1914, signed lower left, titled and inscribed in pencil in lower margin, 14.5 x 20cm.

150 · SYDNEY URE SMITH [1887 - 1949], The Little Schooner, Mosman, Etching, signed and numbered 4 and dated 'Dec 1915' in pencil on margin, 16 x 10cm. Original Sedon Galleries label verso.

151 · EMANUEL PHILLIPS FOX [1865 - 1915] (attrib.), Untitled (Australian Landscape), oil on cedar board, 25 x 35cm.

152 · WILLIAM HENRY DYSON [1880 - 1938], ["Mornin' White Trash"], dry-point etching, signed in pencil at lower right, 16.5 x 21cm.

153 · GEORGE DANCEY [1865-1922], The Reeking Pit of War, Wash drawing on Windsor & Newton illustration board, signed lower right in black ink, 32 x 24cm. (image) The German Kaiser Wilhelm is depicted standing on the shoulders of Sultan Mehmet V, who is sinking in "the reeking pit of war". Dancey was chief cartoonist on Melbourne Punch from 1898 until 1919. Examples of his work are held in the National Library of Australia collection.

154 · TOM FERRY [Australian], Untitled [Bloomer girl], pencil on board, signed lower left and dates April 17th '18, 35 x 22cm. also, DUDLEY HARDY [British, 1867 - 1922], Untitled [Punters], pencil on card, signed lower left, 31.5 x 16.5cm.

155 · THEODORE PENLEIGH BOYD [1890 - 1923], Half Moon Bay, watercolour, signed "Penleigh Boyd" and dated "18" lower right, 17 x 26cm.

156 · DARYL ERNEST LINDSAY [1890 - 1976], [Ruined church, France, 1917], watercolour, signed lower right, 32.5 x 23cm.

157 · ELIOTH GRUNER [1882 - 1939], The Poplars, etching, numbered "No.10", titled and signed in pencil in the lower margin, 15.5 x 17.5cm.

158 · ETCHINGS: 1918 - 1935, The River Seine, Paris by Will Ashton 16/50; Sydney Heads from Cranleigh by John Shirlow 1918; Sunrise by John Shirlow; Portal of the Amsterdam Club, William Street, Melbourne 26/50; Smiling Girl by James Arden Grant. various sizes, (5 items).

159 · JOHN SHIRLOW [1869 - 1936], Hobson's Bay, etching, signed 'John Shirlow' in pencil on margin; signed and dated "1919" in image, 11.5 x 18cm.

160 · LIONEL ARTHUR LINDSAY [1874 - 1961], A collection of bookplates, most signed in the plate; one dated 1912. (22), various sizes; a couple of duplicates.

161 · CHARLES BENNETT [1869 - 1930], Healesville, watercolour, circa 1920, titled at lower right and inscribed verso "Yarra Flatts near Healesville by Chas Bennett, Glen Point", 17 x 25cm. also, Tree Ferns, pencil sketch, signed lower right, 21 x 31cm.

162 · HAROLD BROCKLEBANK HERBERT [1891 - 1945], [Durban], etching, 21.5 x 17cm.

163 · JOHN SHIRLOW [1869 - 1936], Scotch College, Melbourne, etching, signed and dated "1921" in the plate, signed in pencil in lower margin and endorsed "50A printers proof" in pencil, 26 x 16.5cm.

164 · JOHN SHIRLOW [1869 - 1936], Yarra River with city skyline, etching, signed and dated "1921" in the plate, signed in pencil in lower margin and editioned "10", 12 x 12cm.

165 · JOHN SHIRLOW [1869 - 1936], Landscape, etching, signed and dated "1922" in the plate, signed in pencil in lower margin, 22.5 x 16.5cm.

166 · FREDERICK JAMES (Fred) ELLIOTT [1864 - 1949], Old Sydney, N.S.W. watercolour, signed lower right, 15 x 21.5cm.

167 · WILLIAM HARDY WILSON, Twenty-eight plates from "Old Colonial Architecture in New South Wales and Tasmania" [1924], together with the accompanying text pages within the original binding. (28) , [N.B. Offered as a collection of plates].

168 · DORA SERLE [1875 - 1968], Cat in dappled sunlight, oil on canvas on board, signed lower right, circa 1925, 35 x 24cm. (old label verso).

169 · HAROLD BROCKLEBANK HERBERT [1891 - 1945], Fishing boats, Martigues (France), editioned 21/50, titled and signed in pencil in the lower margin, 1924, 25 x 17.5cm.

170 · ETHEL LOUISE SPOWERS [1890 - 1947], Collins Street, Colour linocut, 1926, signed and dated in pencil and inscribed with title, 25.5 x 18.5cm.

171 · André Paul ARTIGUE [French, 1879-1956], Lamosque, etching, editioned 8/25 and signed by the artist in the lower margin, 22.5 x 31cm. also, LESLIE MOFFAT WARD [English, 1888 - 1978], Tugs on the Haas, Holland, etching, titled and signed in the lower margin. 26 x 20cm.

172 · FRANCIS WILLIAM MAHONY [1908 - 1989], Shadows, woodcut, editioned 38/50, titled, signed and dated '29 in the lower margin, 14 x 15cm.

173 · GEORGE BELL [1878 - 1966], The Frog and the Nude, circa 1954, linocut , endorsed "For Mrs Fenner" and initialled "GB" in lower margin, 20.5 x 17cm.

174 · ADRIAN FEINT [1894 - 1971], A collection of three bookplates for E.G. Boreham (wood engraving; signed in margin), H.B. Muir (wood engraving); and T.P. (Thea Proctor) (wood engraving; signed in margin, hand coloured). Various sizes (3).

175 · ERNEST EDWIN ABBOTT [1888 - 1973], Native of the Land, c1930 titled and editioned 24/32 in lower margin, authenticated verso by son, R.D.Abbott, 21 x 13.5cm.

176 · ERNEST EDWIN ABBOTT [1888 - 1973], Newman College, Ormond College, Queen's College, three etchings, circa 1930, titled and editioned in lower margins, all authenticated verso by son, R.D.Abbott, each 20 x 32cm. (3)

177 · ERNEST EDWIN ABBOTT [1888 - 1973], New Pastures, Home Dam, Post + Rail, Pastoral Country, circa 1930, four etchings, titled and editioned in lower margins, authenticated verso by son, R.D.Abbott, various sizes, mainly 20 x 28cm. (4)

178 · ERNEST EDWIN ABBOTT [1888 - 1973], Security, Dignity c1930, two etchings, titled and editioned in lower margins, authenticated verso by son, R.D.Abbott, 21 x 20cm and 24 x 18cm. (2).

179 · ERNEST EDWIN ABBOTT [1888 - 1973], Ormond College doorway, plus four other landscapes, etchings, circa 1930s, three signed verso by the son, various sizes. (5)

180 · ERNEST EDWIN ABBOTT [1888 - 1973], Carpet Sellers (Egypt), Reflections (Egypt), etchings, circa 1930s, titled and editioned in the lower margins, signed on reverse by the son, R.D. Abbott, 21 x 16cm and 22 x 14.5cm.

181 · Group of six assorted vintage and antique picture frames, ​largest 37 x 31cm

182 · ERNEST EDWIN ABBOTT [1888 - 1973], A collection of English scenes: Avon River, Kirkstall Abbey, The Old Brig, O'Balgowrie, Ely Cathedral, English Cottage, The High Altar, St. Pauls (hand coloured), etchings, circa 1930s, titled and editioned in the lower margins, signed on reverse by the son, R.D. Abbott, various sizes. (6 items).

183 · ERNEST EDWIN ABBOTT [1888 - 1973], A collection of English scenes: Air Force Memorial (with Big Ben), Laneway, Shrewsbury, Cathedral, Church Temple, Country Bridge, Temple Chapel of the Crusaders, English Castle, etchings, circa 1930s, some signed and titled on reverse by the son, R.D. Abbott, various sizes. (7 items).

184 · LIONEL ARTHUR LINDSAY [1874 - 1961], Hornbill, 1931, woodblock, signed 'Lionel Lindsay' and numbered 100 in pencil on margin, 14 x 14cm.

185 · EVELINE W. SYME [1888 - 1961], The Ruins, Port Arthur, woodcut, titled, editioned 7/50 and signed "E W Syme" in lower margin, 10.5 x 7.5cm.

186 · EVELINE W. SYME [1888 - 1961], The Fortress, Villeneuve-sur-Rhone, woodcut, titled, editioned 26/30, signed "E W Syme" and dated 1931 in lower margin, 8.5 x 8.5cm.

187 · EVELINE SYME [1881 - 1961], Collins Street, Melbourne, Woodcut, 14.5 x 10cm.

188 · STAN CROSS [1888 - 1977], The Agent and the Aboriginal fruit grower, pen and ink on board (with typed captions at base), c1935, 42 x 30cm.

189 · ALAN McCULLOCH [1907–1992], Sea breezes, etching printed in brown ink, c.1937, with pencil signature and title in lower margin, 21 x 16cm.

190 · M.H. HOPE, Strawberry Pickers, oil on canvas, signed and dated "1937" lower left, 40.5 x 51cm.

191 · WILLIAM HUNTER, Senior [1896 - 1963], Golden Pheasant, aquatint, signed in pencil and titled in the margin; endorsed "1st Trial proof" at left. 17 x 20.5cm.

192 · HAROLD BROCKLEBANK HERBERT [1892-1945], [Autumn Leaves], pencil on paper, inscribed at base "To C.S.B. from Harold Herbert, '43", 19.5 x 14cm.

193 · CLIFFORD WILLIAM BAYLISS [1912 - 1989], (Head of a young man), pencil on paper, signed at right, 19 x 12cm.

194 · GRAEME E. KING [1915 - 2008], Bourke Street, oil on board, signed and dated "'44" lower right, titled on reverse, 22 x 29cm.

195 · FREDERICK (Fritz) SCHONBACH (b.1920, Vienna), Cartoon: "Look at the way the war has pepped up the emancipation of women for instance", black ink, Chinese white & charcoal on paper, dated 3/11/45 at lower right, 24 x 28 cm (irregular). Schonbach was a "Dunera Boy" who worked on The Australasian Post in 1945-46, when Alan McCulloch was the art editor.

196 · ALLAN McLEOD McCULLOCH [1907 - 1992], Untitled "winter" cartoons [the unexpected parking ticket and the shocked violinist], pen and ink on paper, signed and dated "'47" at lower right, 28 x 36 cm and 34 x 36cm. (2 items).

197 · WILLIAM MERRIC BOYD [1888 - 1959], A group of nine coloured pencil sketches (one being double-sided), with various subjects and titles including "An Australian Country Life Motif", "The Magpie Australian Native Bird on Post Rail Fence", "A Moo Cow being exercised", "On corner Dandenong Road and Weeroonah Road", etc., and others untitled. Some signed. (10 images on 9 sheets). One dated 1949. Various sizes, but mostly 24 x 18cm (approx).

198 · WILLIAM MERRIC BOYD (1888 - 1959, A.C.Gull, pencil on paper, signed "Merric Boyd" and dated "1950" lower left, 22 x 26.5cm.

199 · TONY TUCKSON [1921 - 1973], (A Cup of Tea), pencil and watercolour on paper, c1950, 20 x 32cm.

200 · AUSTIN H. PLATT [1912 - 2003], Hutchins, Hobart, etching, signed in the plate, editioned 4/100, titled and signed in pencil, 27 x 21.5cm.

201 · WILLIAM MERRIC BOYD [1888 - 1959], The Boundary Rider & Kelpie, coloured pencil on paper, signed "Merric Boyd" lower right, 27.5 x 37.5cm.

202 · SOVIET RUSSIA: 1954 and 1962 propaganda posters, colour lithograph, 53 x 79cm and 44 x 66cm.

203 · CHINESE COMMUNIST PARTY: Two circa 1970s propaganda posters, colour lithograph, 51 x 72cm and 53 x 76cm.

204 · CHINESE COMMUNIST PARTY: Three circa 1970s propaganda posters, colour lithograph, 52 x 75cm

205 · HAROLD (HAL) GYE [1887 -1967], “Den’s old home, Toolangi 1914", gouache, titled lower left, signed lower right, also, "Den's old home, Toolangi 1914" (the scene at dusk), gouache, titled lower left, signed lower right, both 21 x 21cm.

206 · WILLIAM LEONARD LLOYD (LEN) ANNOIS [1906 - 1966], A View of Florence, lithograph, signed 'Len Annois', dated '55, inscribed and numbered 10/10 in pencil in lower margin, 39 x 55 cm.

207 · A terracotta facemask with blue painted highlights, ​28cm high

208 · ARTHUR MERRIC BOYD & NEIL DOUGLAS Two pottery dishes with kangaroo decoration, signed "The Bush, Neil Douglas, Australia, A.M. Boyd", and "Arthur Merric Boyd, Neil Douglas, Australia", ​12.5cm and 15.5cm diameter

209 · SHAY DOCKING [1928 - 1998], Grampians and Blackboys, pencil drawing on paper, signed, titled and dated 1956, 19 x 28cm.

210 · JOHN PERCIVAL & NEIL DOUGLAS: Handpainted tile by Neil Douglas, signed "N.D." 15 x 15cm; together with an Arthur Merric Boyd pottery beaker decorated by John Percival signed "J.P. & A.M.B.", 7.5cm high ​

211 · KATHLEEN McARTHUR [1915 - 2001], "The Brisbane Lily" EURYCLES CUNNINGHAMII, and, DENDROBIUM DELICATUM, watercolours, titled, signed and dated "57" and "59" respectively, 34 x 22cm and 42 x 23cm. (2)

212 · MARY MacQUEEN [1912 - 1994], Still Life, hand-coloured lithograph, titled, editioned 3/10 and signed by the artist in lower margin, 18 x 20cm.

213 · SIR WILLIAM DOBELL [1899 - 1970], Tired shopper, ink on paper, 19 x 14cm. William Dobell Art Foundation label verso. Provenance: Joseph Brown Collection

214 · MICHAEL MESZAROS (1945 - ), Crystal Gazer, bronze plaque on wooden board, edition of 25, Raya Gallery label verso, 24 x 19cm overall.

215 · MARY MacQUEEN [1912 - 1994], Carlton Facade, 1962, coloured lithograph, editioned 5/15, titled and signed in the lower margin, 33 x 48cm.

216 · CHARLES BLACKMAN [1928 - 2018], Barry Humphries circa 1963-64, Conte on paper, signed lower right Blackman, 49 x 35.5cm.

217 · CHARLES BLACKMAN [1928 - 2018], Nude, circa 1963, charcoal on paper, 48 x 30cm.

218 · JOHN De BURGH PERCEVAL [1923-2000], Pepper Berries, blue ink on paper, London 1963, 17 x 14cm. and, Barbara's Bum, blue ink on paper, London 1963, 17 x 14cm. (2 items)

219 · HERMIA SAPPHO BOYD [1931-2000] (attrib.), [Nude with parasol] c.1965, ink on paper, 17 x 14cm.

220 · ARTHUR MERRIC BLOOMFIELD BOYD [1920 - 1999], Prodigal Son with mother and child, [1966-68], ink on paper, signed "Arthur Boyd" lower right, 51 x 61cm.

221 · HELEN OGILVIE [1902 - 1993], Albury, watercolour, pen and ink on paper, signed and dated 1968, 23 x 32cm.

222 · DONALD FRIEND [1915 - 1989], Summer, lithograph (from "The Seasons Suite"), editioned 11/35, titled and signed in the lower margin, 28 x 37cm.

223 · MARY MacQUEEN [1912 - 1994], Africa, hand-coloured lithograph, titled, editioned 4/20, signed & dated '73 by the artist in lower margin, 35 x 52cm.

224 · ERIC THAKE [1904 - 1982], Grass Flower, Moorabool, 1974, Oil on canvas on board, signed, dated and inscribed lower left, inscribed with title and dated verso, 40.5 x 16cm.

225 · GUY BARDONE [France, 1927-2015], Terrasse en Grèce, Lithograph in colours, Ed. 30 / 110, 36 x 44cm.

226 · MARY McQUEEN [1912 - 1994], Dunnings Woodyard, pencil on paper, titled and dated "Dunnings '76" lower left, 2 images, each 45 x 60cm (framed together).

227 · SUSAN MACARTNEY-SNAPE [English, born 1957], [Hibiscus], pencil drawing, signed and dated 1978, 51 x 38cm.

228 · BRUNO LETI [born 1941], Force Two, Coloured etching, 1979, editioned 15/25, titled and signed to lower margin, 35 x 52cm.

229 · JOSEPH BANKS, Plates 461 (Scandia Rosaefolia) and 495 (Kirkianella Novae-Zelandiae), from his "Florilegium" Cooks first Voyage in the Endeavour 1768 -1771, (Plates finally published, London, between 1980 and 1988), each 49 x 30cm.

230 · ELSIE MARGARET STONES [1920 - 2018], Escallonia rubra. var macrantha (Crimson Spire), watercolour, signed in ink, 24 x 17cm.

231 · SUSAN MACARTNEY-SNAPE [English, born 1957], The Pineapple Coat, watercolour, ​signed and dated "80" with monogram in pencil, 32 x 42cm.

231a · MICHAEL FRANKLIN TAYLOR [born 1933] Blackened TreesOil on canvas, titled verso: Blackened Trees,150 x 110 cmProvenance: Lawson~Menzies - Artworks from the Estate of Chandler Coventry, Sydney, 30/03/2004, Lot No. 156B

232 · MARTIN SHARP [1942 - 2013], Kaspar (Nimrod), 1982, Screenprinted poster, ed. 44/1000, signed lower right, dated lower centre, 658.5 x 46cm.

233 · MARTIN SHARP [1942 - 2013], Kold Komfort Kaffee (Nimrod), Screen-printed poster, numbered 792/1000 lower left; dated 2.12.82 centre; signed lower right, 105 x 45cm.

234 · MARTIN SHARP [1942 - 2013], Nimrod (Mo), Screen-printed limited edition poster, numbered 792/1000 at lower left; dated 2.12.82" at centre & signed lower right, 88 x 45cm.

235 · MARTIN SHARP [1942 - 2013], Ginge's Last Stand? (New Nimrod), screen-printed limited edition poster, numbered 44/1000 lower left, dated 2.12.82 at centre & signed lower right, 68 x 48cm.

236 · MARTIN SHARP [1942 - 1913], Tiny Tim Eternal Troubadour Opera House 5 Sept. 1982, screen-printed poster, 101 x 76cm.

237 · MARTIN SHARP [1942 - 2013], Sideshow in Burlesco (Nimrod), screen printed poster, limited edition, numbered 792/1000lower left, dated 2.12.82 at centre & signed lower right, 106 x 44cm.

238 · PAMELA DEBENHAM [born 1955], "No Nukes in the Pacific", poster, colour screenprint, 1984, 89 x 65cm.

239 · SHAY DOCKING [1928 - 1988], Bonnie Doon Hills, 1987, pencil on paper, titled, signed and dated in lower margin, 29.5 x 42cm. Ex. Bridget McDonnell Gallery, May 2006.

240 · MARTIN SHARP [1942 - 2013], Brighton Festival May 1988, screen-printed poster, 75 x 50cm.

241 · JENNIFER TAYLOR, Tinnameat bird, found metal objects, 47 x 23 x 18cm.

242 · SALLY MORGAN [b.1951], The Circle, screenprint, limited edition #15/99, signed and titled and dated 1990 in the lower margin, 42 x 33cm.

243 · W. PESTELL, [Captain Cook's Cottage], pencil drawing, 23 x 19cm.

244 · MARTIN SHARP [1942 - 2013], Tiny (Tim) Paddo Market, screen-printed poster, dated "4.2.92" and signed by Martin Sharp and Tiny Tim at lower right, 102 x 73cm.

245 · JUDY HORACEK [b.1961 - ], What Grows on Trees, original cartoon in ink on paper, 1992, 27 x 38cm.

246 · CELIA ROSSER [b.1930], Banksia Conferta [#63/300], and, Banksia aculeata [#71/300], hand coloured limited edition lithographs, 1993, signed and editioned in pencil in the lower margins. (2)

247 · YVONNE BOAG [born 1954], House I - IV, acrylic on paper in 4 parts, each approx 24 x 32cm. (4)

248 · SUZANNE KNIGHT [born 1964], Strained relations 1 & 2, pencil and wash on paper, each 22 x 28cm. (2 items)

249 · ROX DELUCA [1963 - ], Non uscire mai, Tatoo per la canicia, Ripiegare, A set of three embossed aluminium panels, each signed and titled verso; dated 2000, and each 39 x 29cm. (3)

250 · ANTHONY HOPKINS [b. 1956 - ], Rock lights (Essential truths), coloured pencil on paper, 2000, 15 x 21cm.

251 · G.W. BOT [born 1954], Ancestral Lake 1, Linocut, edition of 25, 53 x 93cm.

252 · MARIE McMAHON [b.1953 - ], Coral III, collage on bookend papers, 25 x 33cm.

253 · NORIO TAKAMIYA [Japan, Australia], The Car, 2005, woodblock print, #5/30 limited edition, 43 x 33cm.

254 · LISA REID [b. 1975], Pat Rafter - He's a good player, watercolour on paper, 2001, with Arts Project label verso, 50 x 66cm.

255 · KATE STEVENS, Kyoto, 2002, oil on laminated board, 35 x 25cm. Painted during an Artists Society Of Canberra travelling scholarship to Japan.

256 · JOHN SCURRY [born 1947], The Waiter, hand coloured lithograph, signed and dated '03 in the lower margin, 30 x 18cm.

257 · DIANA BOYER, Cows, watercolour and pencil on paper, initialled and dated '04 at right, 17.5 x 26.5cm.

258 · RIC AMOR [b.1948], Interview, Lithograph, signed, titled, dated ’04 and editioned 26/160 to base, 47 x 37cm (image).

259 · ANNA EGGERT [b. 1952], Pleats, 2004, aluminium panel, bronze mesh & stainless steel, 50 x 50 x 3cm deep.

260 · ANNA EGGERT [b. 1952], Mask, metal, mesh and found objects, circa 1989, 23 x 19 x 10cm deep.

260a · RUTH WALLER [born 1955] Lamentation - small tableau acrylic on canvas, 2004 50 x 50cm signed and title verso, with Watters gallery label.

261 · NUSRA LATIF QURESHI [Pakistan, b. 1973 - ], Conversations - II, digital print, 2005, editioned 2/30, titled and signed "Nusra" in the lower margin, 22 x 16cm.

262 · LEO CUSSEN [1959 - 2015], Fred Astaire and Ginger Rogers, pastel and charcoal on paper, 50 x 66cm. with Arts Project label verso.

263 · FIONA FOLEY [born 1964], Opium #6 - Shackled, etching & aquatint on paper, 2008, editioned 1/20, signed and dated in lower margin, 29 x 20.5cm.

264 · STEVEN AJZENBERG, Dishes and Fruit, 2011, ink on paper, initialled and dated at lower left, 28 x 38.5cm. Arts Project Australia label verso.

265 · MARTIN SHARP [1942 - 2013], Mister Tambourine Man - Blowing in the Mind, Red and black ink on gold reflective foil paper, 2012 (reproduction of 1967 original), Limited edition poster, 99/250, 74 x 49cm.

266 · CHIPS MACKINOLTY [born 1954], La Pullanchella (Corn), La Persica Tabacciera (Peach), L'agghia (Garlic), U Ficu (Fig), La Nespula (Loquat), group of five inkjet prints on German etching paper, 2015, titled and editioned (3 or 6 of 19) in lower margins, each 47 x 47cm. (5 items)

267 · CHIPS MACKINOLTY [born 1954], I Rrappi Rrussi (Beetroot), I Cipuda Scalognu (Spring Onions), pair of inkjet prints on German etching paper, 2015, titled and editioned (3 of 5) in lower margins, each 90 x 90cm. (2 items)

268 · BOTANICAL ETCHINGS, LITHOGRAPHS & ORIGINAL ARTWORKS: A diverse group, including 3 framed, the remainder attractively mounted. Various sizes. Includes some very early examples. (29 items)

269 · JOSIAH CONDOR [1789 - 1855], The Modern Traveller; A description of the various countries of the Globe. [London; Thomas Tegg & James Duncan; circa 1830], 31 of 33 volumes (lacks #6 & 22 ) with numerous plates and folding maps, cloth bindings; faded spines.

270 · The Illustrated London News, Jan. to June 1852, Volume 20 in a bound volume. Complete with music supplements.

271 · The Illustrated London News, July to December 1858, Volume 33 in a bound volume. Complete with colour plates.

272 · The Illustrated London News, January to June 1861. Volume 38 in a bound volume.

273 · The Illustrated London News, July to December 1861. Volume 39 in a bound volume.

274 · The Illustrated London News, January to June 1870. Volume 56 in a bound volume.

275 · WILLIAM HUMBER, A Comprehensive Treatise on the Water Supply of Cities and Towns with Numerous Specifications of the Existing Waterworks, Fifty Double Plates and Upwards of Two Hundred and Fifty Illustrations on Wood. [Crosby Lockwood & Co.; London, 1876]. Contemporary half leather binding with banded spine and gilt lettering; leather is well rubbed. Sound binding; marbled end-papers. Colour frontis of Wallasey Water Tower.

276 · W.J.J. SPRY, The cruise of Her Majesty's ship "Challenger";: Voyages over many seas, scenes in many lands. [London; Sampson Low, Marston, Searle & Rivington, 1879] complete with folding map in fine original binding.

277 · ENGRAVERS & THEIR ART: "Sir Henry Raeburn..." by William Henley (1890); "George Morland" by Herbert Baily (1906); "A History of French Etching" by Leipnik (1924); "A History of Wood Engraving" by Douglas Bliss (1928); "The Etchings of James McBey" by Malcolm Salaman" (1929); "The History of the Royal Society of Painter-Etchers & Engravers 1880 - 1930" by Francis Newbolt (1930); "The Liber Studiorum Mezzotints of Sir Frank Short" (1938); plus 35+ related titles; mainly hardcovers.

278 · DAVID DEUCHAR [1743 - 1808], "A collection of etchings after the most Eminent Masters of the Dutch and Flemish Schools, particularly Rembrandt, Ostade, Cornelius, Bega, and Van Vliet. Accompanied with sundry miscellaneous pieces and a few original designs by Davd. Deuchar, seal engraver, Edinburgh." [Late 19th/early 20th Century]. Blue cloth boards with leather spine; gilt titles; decorated endpapers. With 220+ etchings with the title in a floral border, etching opposite title (as frontispiece)

279 · Robertson & Moffat: "Catalogue of Rare and Valuable etchings mezzotints and autotype pictures exhibited at The "Old Court" Gallery, Town Hall Buildings, Swanston Street. June 1900". 32pp

280 · ART IN AUSTRALIA: 1916 - 1940, sixty-seven different editions including several specials; mixed condition.

281 · "The British School of Etching being a lecture delivered to the Print Collectors' Club by Martin Hardie....July 8th 1921 with an original etching by Sir Frank Short" No 84 from a limited edition of 120; "Samuel Palmer - Being a Lecture delivered to the Print Collectors' Club on Wednesday November 16th, 1927 by Martin Hardie" No.324 from a limited edition of 500; "A catalogue of the etchings of Samuel Palmer" (1937) No.165 from a limited edition of 375. (3 items)

282 · Art in Australia: The Art of the Year - Third Series. No.26. December 1928, hard cover with applied "De Luxe edition" label and with reproduction pencil drawing by George W. Lambert, entitled "The Orderly" which bears an original signature of the artist. No.26 from an edition of 40, 30 of which were offered for sale. Extremely rare.

283 · CATALOGUE: "Chinese Art Exhibition and Bamboo Festival, Proceed to be divided between The Air Force Auxiliaries and The Chinese Relief Fund, at the Mural Hall Lounge, Myer Emporium" June 1941 with a list of 376 exhibits; the cataloguers listed as George Ewing, Joshua McClelland and Agnes McClelland. 32pp

284 · SIGNED BOOKS: The Eric Thake Picture Book by Elizabeth Summons [1978], 82/1000 signed by the artist; Historic Sydney - The Founding of Australia by Susanna de Vries [1983], cased & signed limited edition 5/60; Queensland Wildflowers - A selection by Kathleen McArthur, signed by the artist. (3 items).

285 · ROBERT HATFIELD ELLSWORTH, Chinese Furniture: Hardwood Examples of the Ming and Early Ch'ing Dynasties. [London, Wm. Collins & Co., 1970] 1st edition; in slipcase. also, Chinese Creeds and Customs (3 volumes, 1972) & The Chinese Revolution by Arthur J. Brown (1912).

286 · AUCTION CATALOGUES: A huge accumulation with representation from many Australian and foreign auction houses, with a particular focus on Australian and Oriental art and decorative arts, Australian books and antiques, etc. (100s). [Buyer to arrange removal from our rooms].

287 · BOOKS, PERIODICALS, PAMPHLETS, MONOGRAPHS, EXHIBITION CATALOGUES, etc.: A very diverse range, (100s).

288 · KEVIN FAHY, CHRISTINA SIMPSON & ANDREW SIMPSON, "Nineteenth Century Australian Furniture", [Syd. 1985] limited edition of 2000 copies, with d/j (faded on spine).

289 · KEVIN FAHY & ANDREW SIMPSON, "Australian Furniture Pictorial History And Dictionary, 1788-1938", [Syd. 1998] limited edition 1811/2000 copies signed by the authors, with d/j (dirty and faded).

290 · RICHARD J. BEBB, Welsh Furniture 1250-1950 : A Cultural History of Craftsmanship and Design (two volumes complete in slip-case), [Saer Books, 2007] , signed by the author in both volumes.

291 · ROBERT DUDLEY [1574 - 1649] A rare chart of the Pacific, "Carta particolare del mare del Sur che comincia con l'Isole di Salamone e finiscie con la costa di Lima nel Peru . . .", [Florence, 1646], 54 x 85cm (in two sheets which are joined).

292 · PAUL DE RAPIN DE THOYRAS, "DUNKIRK A strong Seaport Town in the Earldom of Flanders in the Low Countries subject to the French.", [London, 1746], hand-coloured, 40 x 50.5cm. A detailed plan of the city of Dunkerque, including fortifications, town plan, roads, farms, rivers, and a decorative compass rose. From Tindal's continuation of Rapin's History of England.

293 · DIDIER ROBERT DE VAUGONDY [1723 - 1786], "Archipel Des Indes Orientales, qui comprend Les Isles De La Sonde, Moluques et Philippines, tirees des Cartes du Neptune Oriental . . .1750" [Paris, circa 1755] some hand-colouring, 51 x 66cm (peripheral faults).

294 · "Sketch of the TYPA and MACAO" Detailed chart of Macao and neighboring islands from Cook's Voyages, c.1785. overall 34 x 22cm. Includes town plan, soundings, some topography and notes and observations. also, "View of Macao in China" by James Heath (c.1798) and "Jesuit Convent, Macao" hand-coloured lithograph (c.1856). various sizes. (3 items)

295 · JOHN BARROW [1764 - 1848], "A General Chart on Mercator's Projection, To Shew The Track of the Lion and Hindostan from England to the Gulph of Pekin in China, and of their return to England, with the daily statement of the Barometer and Thermometer as observed at noon; containing also the limits of the Chinese Empire, as extended by the Conquests of the present Emperor Tchien-Lung." [George Nicol, London, 1796], sheet size 65 x 98cm.

296 · JOHN CARY [1755-1835] Maps of Europe, "A New Map of GERMANY, divided into its circles; viz The Upper and Lower Rhine, Swabia, Austria, Bavaria.....with the Kingdom of BOHEMIA &c...1799"; "A New Map of BOHEMIA and MORAVIA, from the latest Authorities...1801; "A New Map of HUNGARY, with its divisions into GESPANSHAFTS or COUNTIES; The PRINCIPALITY of TRANSYLVANIA, CROATIA, &c. from the latest Authorities...1811"; and "A New Map of the CIRCLE of FRANCONIA, from the latest Authorities...1811", [Lon

297 · JOHN CARY [1755-1835] Maps of the German States & Duchies, "A New Map of the Circle of WESTPHALIA, from the latest Authorities...1799"; " A New Map of the Circle of BAVARIA, from the latest Authorities...1799"; "A New Map of the Circle of UPPER SAXONY with the Duchy of SILESIA and LUSITIA, from the latest Authorities...1801"; "A New Map of the Circle of LOWER SAXONY, from the latest Authorities...1801"; "A New Map of the Circle of SWABIA, from the latest Authorities...1811" & "A New Map of the C

298 · JOHN CARY [1755-1835] Maps of the Middle East, "A New Map of ARABIA, including Egypt, Abyssinia, the Red Sea &c.&c. from the latest Authorities...1804"; " A New Map of EGYPT, from the latest Authorities...1805" & "A New Map of TURKEY in EUROPE divided into it's provinces, from the best Authorities...1811", [London, 1804, 1805 & 1812]; contemporary hand colouring, each approx. 54 x 63cm (sheet size). (3).

299 · JOHN CARY [1755-1835] "A New Map of SOUTH AMERICA, from the latest Authorities...1807 & 1811", [London, 1807, 1811]; contemporary hand colouring, in two sheets, each approx. 54 x 63cm (sheet size).

300 · JOHN CARY [1755-1835] Maps of Europe, "A New Map of SPAIN and PORTUGAL, divided into their respective KINGDOMS and PROVINCES, from the latest Authorities...1811"; " A New Map of the KINGDOM of PORTUGAL, divided into it's Provinces, from the latest Authorities...1811" & "A New Map of the KINGDOM of DENMARK, comprehending North and South Jutland, Zeeland, Fyen, Laaland, and part of HOLSTEIN. from the latest Authorities...1811"; & "A New Map of ENGLAND, from the latest Authorities...1811.", [Londo

301 · JOHN CARY [1755-1835], "A New Map of HINDOOSTAN, from the latest Authorities...1811"; [London, 1811]; contemporary hand colouring, approx. 54 x 63cm (sheet size).

302 · JOHN CARY [1755-1835] "A New Map of SCOTLAND, from the latest Authorities...1811", [London, 1811]; contemporary hand colouring, in two large sheets, each approx. 54 x 106cm (sheet size).

303 · JOHN PINKERTON [1758 - 1826], Southern Hemisphere, from "Pinkerton's Modern Atlas" [1812], contemporary hand colouring, 56 x 56cm. An interesting and highly detailed map of the Southern Hemisphere extending to the equator with the regions shown including substantial detail, including attention to topographic details in the mountain regions and illustrating the total lack of knowledge of Antarctica.

304 · AGUSTIN CODAZZI [1793 - 1859], "Mapa-Mundi Historico", [Caracas, 1840] contemporary hand coloured, 52 x 68.5cm (sheet size).

305 · GEORGE BISHOP, "County of ROXBURGH, N.S.W.", [Basch & Co., Sydney, 1872], contemporary hand-coloured, 38 x 53cm. Roxburgh County was one of the original Nineteen Counties in New South Wales. It includes the area to the north east of Bathurst.

306 · A Cuban mahogany library chair in the Georgian style, 72cm across the arms

307 · An English rosewood folio stand, 19th century, 113cm high, 75cm wide, 63cm deep

308 · A 17th century English oak chest of drawers, circa 1680, 107cm high, 112cm wide, 59cm deep

309 · A Chippendale English mahogany carver chair, late 18th century, ​69cm across the arms

310 · A Georgian mahogany drop-side supper table, early 19th century, 71cm high, 64cm wide, 97cm deep

311 · An Australian cedar waterfall front bookshelf, 19th century, 84cm high, 97cm wide, 22cm deep

312 · An antique Australian display cabinet, walnut and red pine, circa 1900, 160cm high, 98cm wide, 36cm deep

313 · An Australian 8 drawer print cabinet, kauri, Baltic and red pine, circa 1900, 91cm high, 85cm wide, 63cm deep

314 · An Australian countertop display cabinet, fiddleback blackwood and cedar, late 19th century, 20cm high, 183cm wide, 62cm deep

315 · An Australian benchtop display cabinet, cedar with mirror back, 19th century, 23cm high, 76cm wide, 56cm deep

316 · An Australian blackwood wall mounted vertical display cabinet, early 20th century, 115cm high, 82cm wide, 11cm deep

317 · Two small countertop display cabinets, 20th century, ​46cm and 51cm across

318 · An English 18th century Chippendale mahogany carver chair, circa 1770, 63cm across the arms

319 · An English provincial Chippendale side chair, beech and pine, 18th century style. 58cm across the seat

320 · An English provincial Sheraton side chair, fruitwood and beech, 18th/19th century, ​48cm across the seat

321 · An Australian cedar jewellery display countertop cabinet, late 19th century, ​9cm high, 60cm wide, 69cm deep

322 · A Georgian style mahogany corner cabinet, 20th century, 165cm high, 74cm wide, 42cm deep

323 · An Australian blackwood upright display cabinet (electrified), 20th century, 188cm high, 56cm wide, 39cm deep

324 · Two folio/print stands by Mabef, Italian, 20th century, ​the larger 100cm high, 87cm wide, 69cm deep

325 · A pair of modern ash bookshelves, ​122cm high, 120cm wide, 30cm deep

326 · Four plywood solander folio boxes with brass fittings, late 20th century, 8cm high, 123cm wide, 90cm deep

327 · A modern upright square glass display cabinet, late 20th century, ​163cm high, 43xm wide, 40cm deep

328 · A collector's cabinet fitted with seven drawers and a mid 20th century 3 drawer miniature chest, the collector's cabinet 35cm high, 47cm wide, 41cm deep

329 · A picture rack work table, steel and laminex, circa 1970, 120cm high, 125cm wide, 44cm deep

330 · Three timber framed mirrors, 20th century, 133 x 49cm and 69 x 56cm

330a · A fine Tekke Turkoman rug, hand woven, early 20th century, 270cm x 150cm

331 · A Regency English cheese wheel, oak with brass casters, early 19th century, ​23cm high, 52cm wide, 32cm deep

332 · A reproduction display cabinet (electrified), 204cm high, 96cm wide, 39cm deep

333 · Two antique leather hat boxes (missing tops), 19th century, the taller 32cm high

334 · Two glass paperweights, 20th century, ​the larger 8cm diameter

335 · A Colonial Tasmanian musk picture frame with gilt slip mount and English engraving, circa 1840, ​frame 78.5 x 56cm, (internal size 95 x 37cm)

336 · A Colonial Australian cedar picture frame with gilt slip and coloured engraving titled "Chepstow Castle", mid 19th century, 44.5 x 52.5cm, (internal size 31 x 40cm)

337 · Secret book box, 19th century, ​16.5cm high

338 · A reproduction scrimshaw walrus tusk, 46cm high

339 · A Dutch Delft cabinet plate, mid 18th century, ​21cm diameter

340 · An 18th century Irish mahogany tea table with folding top, circa 1760, 70cm high, 80cm wide, 39cm deep

341 · Four Georgian snuff boxes,papier-mâché, horn and timber, early 19th century, the largest 8.5cm across

342 · Set of three Georgian sterling silver decanter label by John Robins, London, circa 1809, ​ 5.5cm across, 75 grams total

343 · An English Tunbridge ware miniature box, pair of yew and bone circular snuff boxes and a yew and birch box, 19th century, ​the largest 16.5cm across

344 · Two Chinese jade bangles, 20th century, ​6cm diameter

345 · Two Chinese carved mutton jade ornaments, 19th/20th century, ​5cm and 6cm long

346 · A Chinese famille vert reticulated porcelain cloud vase, 19th century, Kangxi seal mark to base, 51cm high

347 · A rare pair of Chinese bronze and enamel vases decorated with scenes of birds and peacocks and lotus, flowering peony and iris on an imperial yellow ground, the domed covers with additional birds in flight, the bases with blue dragon roundels. 19th century,34cm high (with lids).

348 · A Chinese famille rose porcelain bowl, 18th century, ​29cm diameter

349 · A flint with finely carved wooden handle in scabbard together with a pair of daggers in silver scabbard, 19th century, ​21cm and 22cm long

350 · Two Chinese carved wooden stands, 19th/20th century, made to fit vases with 12.5cm and 7cm bases

351 · A Chinese famille rose porcelain dish on carved stand, 18th century, ​22cm diameter

352 · Three ceremonial knives, silver and bone, 19th century, ​the longest 23cm

353 · Pocket opium scales with carved elephant and Naga motif, Thailand, 19th century, ​16cm across

354 · Collection of 22 Chinese carved wooden stands, 19th and 20th century, ​various sizes

355 · Two Korean celadon glazed bowls, Choson Dynasty, 16th century, 17cm diameter

356 · Three Betel nut and lime boxes, silver, copper, brass and wood inlay, Philippines, 19th century, ​the largest 18cm across

357 · An Indian bronze betel nut belt box and a Malaysian betel nut and lime box, 19th century, ​tallest 12cm high

358 · Binh Thuan shipwreck ceramic dish, early 17th century, ​37.5cm diameter

359 · Two Arita ware plates, Japanese, late 18th century, ​22.5cm diameter

360 · Two Chinese carved wooden chair splats with bats, clouds and pomegranate, 18th/19th century, ​37cm high

361 · A Chinese blue and white ceramic bowl with prancing horse motif, Ming Dynasty, 16th century, ​14cm diameter

362 · A Korean celadon bowl, Koryo Dynasty, 13th century, ​18cm diameter

363 · Two Korean celadon glazed bowls, Choson Dynasty, 17th century, ​16cm and 17cm diameter

364 · A Chinese celadon dish, 18th/19th century, ​12.5cm diameter

365 · Two Japanese Arita ware dishes, 18th/19th century, ​15.5cm diameter,

366 · Two Sukhotai fish bowls, Thailand 15th century, ​27cm diameter

367 · A Korean Punch'ong bowl, Choson Dynasty, 16th century, 12cm diameter

368 · A Korean bronze pagoda in six sections, 13/14th century, 49cm high

369 · A Chinese crackle glazed bowl, 18th century, ​21cm diameter

370 · Two cream glazed bowls, Vietnam, 13th/14th century, ​18cm and 12cm diameter

371 · Anamese covered box and jar, 15th century; together with a Chinese Dehua covered box, Yuan, 14th century; and two Chinese wine cups, the tallest 6cm high

372 · A Jian tea bowl, Song Dynasty (960-1276), ​12cm diameter

373 · A Korean stoneware lidded bowl, Silla period, 7th century, ​12cm diameter

374 · Five assorted ceramic bowls including Sung Dynasty, Tek Sing cargo, Qing Dynasty, Thai and Korean, lotus dish with Bluet & Sons London label, ​lotus dish 20cm across

375 · A Chinese famille rose porcelain vase with Rui sceptre handles, Qing Dynasty, 19th century, ​34cm high

376 · Assorted lime leaf boxes and silver pipe, South East Asia, 19th/20th century, ​the pipe 18cm long

377 · A Pair of Chinese court scene paintings on silk, Qing Dynasty, circa 1840, ​28 x 18cm

378 · ARTIST UNKNOWN (Chinese School) Three watercolours of animals, 19th/20th century, 37 x 16cm each

379 · KAWASE HASUI (1883-1957), Evening at Itako, 1930, Japanese woodblock print, ​mounted, 43 x 31cm

380 · KUNISADA Kabuki actors Two Japanese woodblock prints, ​Meiji period, late 19th century, 36 x 24cm each

381 · KUNISADA II (1823-1880), Autumn: Charming Genji under the moon at Suwa, 1861, Japanese woodblock print, mounted, 37 x 25cm

382 · EISHO (active late 18th century), Beauty with a scarf, Japanese woodblock print, mounted, ​29 x 27cm